TRACKS

This is my witness to our common Autumn, the Autumn of the Species.

There are some, no, many, passages in Eliot’s “Four Quartets” where he reveals the coincidence of tracks: train tracks converging in the rails ahead, the wake of a ship expanding in the distance, far elevations viewed through small arched windows as the retiring climber mounts a spiral stair. The passage of life both out of and into time. 

Eiseily’s meditations reverberate with the conchial winding of his inner ear, writ large in the deafening sediments (but not sentiments) of fossilized conchs.

Contemporaneously, Albert used the allegory of travel on a train to explain relativity. Yet the sum of their explanations is inexplicable. Is it wind, or winding?

Curiously, Albert lost many relatives in the Jewish holocaust while so many of his genius compatriots remained loyal German nationalists & followed the folly of his nation, which led to the unnecessary development of nuclear industries.

The cat is neither in, nor out of the box; but is most certainly both at once and not at all. 

In hindsight, there is only one thing of which I am certain; my life would have been complete if our high school principal had been a certain Mr. Heisenberg. I have tried, earnestly, to live according to principles derived from the universal golden rule.

We live in a time of accelerating dystopia. I have exhausted my energies in an unflagging determination to break good. 

Such, apparently, is life. I will be 68 in two very short weeks. This is my witness to our common Autumn, the Autumn of the SpeciesTM.

~jwl
https://www.jonwarrenlentz.com

©®™

2019-0219

CASSANDRA

Panis et circenses: two minutes before slaughter ushers forth from the horse; everyone is focused on the stupor bowl.

We’re all 
going over the wall.

All pregnant with horror
from the rape few felt or saw.

Hectored, our collective corpse is bound
to be dragged around & around town.

Unlike sticks & stones, bad words now
have the power to end it all.

~jwl
https://www.jonwarrenlentz.com

©®™

2016-11/18-19-20 & 2019-02/20

THE BASEMENT

I knew there were some issues with my house.

It’s like this.

I knew there were some issues with my house.

So I went to see Al Germani, my therapist at the time — everafter to be kindly revered as Infallible Al, Homunculus of Hillcrest — to help me find out what those issues might be & what I could do about them. I figured maybe there was a leak in the roof or a couple of pipes that needed attention up there.

It wasn’t long before we were in the basement.

“Cool, look at the wreck room dad built us!” I punned. I’d been there my entire life & had never known it was there. But now, returning somehow, I noticed those linoleum squares.

“Do you notice how they’re a little off-kilter from the others?”

“Well, no, but yes,” I answered, returning from the garage with my broad-blade putty knife.

It wasn’t long before the basement floor was exposed from wall to wall of the foundation. I discovered a subfloor, decomposed, of a variety of materials & textures, not uncommon for the way dad “did” construction, concrete, brick, some tile, dirt; in one corner, where the washer had been, there was exposed dirt. I started digging there.

Already, I’ve digested several layers, but I see there’s more to exhume; ah, “I’m stuffed,” I quipped. The next visit was the day I found the bones. Now the deeper I go, the more bones I find. I’m not fond of them, though I know I’m my own mummy. 

Only now do see that I never had a childhood. Do I understand that? Perhaps not really. Not yet anyway. Although I do recall the taste of dirt, a universal bleagh, I was never a dirt-eater. I guess everything is subject to change; revison, even.

Starting yesterday I think I’m having visions, wobbly memories, remembering non-specific beatings that I hadn’t experienced until just now? Did that really happen? But I was so little… 

Like the time I told the music teacher, Mrs. Short, “Mrs Short, you’re a shit.” Oh I just could not stand it, being scolded for singing the high counter-melody to the “Battle Hymn of the Republic” — when the entire chorus was diggin’ it & beginning to improvise with me.

Scary & hard & painful & confusing. The worst of it erupted after lunch last week. But I made it through that night & the next day. And the next day & the next.

I think I’ve been through worse. Then I disagree. I think if I got through ’89, I can & will get through this. I’m strong & I’ve always been determined & I’ve succeeded. That’s realistic. There is hope. Although there is a Guy I know who’s gone into repetition, “Hope is a four letter word”. I can’t disagree with that.

I’d researched PTSD on the web; my findings were troublesome, so I asked my next therapist about suicide. Like, “Am I at risk?” “NO,” she therapeuted, “Typically, the ones who go through this & lose their ability to dissociate, that happens at about 9-14, they’re the ones who kill themselves. Maybe your brother tried to do that when he ran out in front of that car when you were 9. Who knows. You survived”.

The ceremony of innocence is drowned”. ~Yeats 
The clinical name for what I’m up against, the mess that’s been left for me to live up through, is PTSD. But nothing simple for me. I’ve PTSD with a couple of other clinical handles. Like the day my son was jetting blood from his neck &, as I saw the blood drain from his head, I heard my inner lifeguard saying, “Jon, you’ve got maybe 10 seconds to save his life”. Or dad’s stories about that dawn at Pearl Harbor.

I kept going online to see if there was anything to learn about how to “cope” with this process of recovery. Like, “Is there a process of recovery? Will I ever get to a place in my life when I am not, in the midst of an unrelated upset, vulnerable to this body-wide internal quivering?” I got the antidepressants today. 

Another thing they say is that now is the time for me to be with family, to talk & let them know what I’m up against. But not my family. I abdicated years ago. And girlfriends? Well, let’s just say girlfriends aren’t much in the way of family when it comes to stuff like this & that.

Then, when Wednesday happened, I was like a man with all of my skin rubbed off. In Ovid’s story of Marsayas there’s that poignant moment, as Orpheus begins to skin him alive, & Marsayas moans, “Why are you tearing myself from me?” It always reminds me of my first divorce. Marsayas was the last of a series of threshold monumental sculptures; I completed it the day before my arm was severed & then, just a few days later, the Loma Prieta Earthquake was epicentered at my home & studio. Although I’d already lost everything, twice, that summer, in just a few seconds the earth shifted beneath me & I lost everything else all over again.

I grew a blank twin to survive. Ward was his name. “What? PTSD? Not me. That was my twin brother, Jon. But he died back in ’89”.

~jwl
https://www.jonwarrenlentz.com

©®™

2004-10/24, 2009-04/10 & 2019-02/23

BEAMS

This whorl: light

We’re different,
you & me
woman & man
separately together
as sea & sand.

Sand & sea
man & woman
together, separately
obvious mystery.

Permanently at play,
different every day
neither the water
nor the shore
really stay.

Time & tide flow in
tide & time flow out
they bring & take
the shore away.

Storm & river
heap up the sand
extend the land
into the sea.

Back & forth
perpetually
froth & foam
rock & sand
together & alone

woman & man

you & me

shrouded in mist,
in mystery.

~jwl
https://www.jonwarrenlentz.com

©®™

2009-1117

ESCAPE of the ACHE

— Und das Totsein ist Mühsam und voller Nachholn ~ Rilke, The First Elegy

It was one of those nights with stars & a moon in the sky, like you would expect – before they painted it all out & put zebras up there, making it a child’s bedroom with no one to glimpse it.

Not only was I not hearing her, but I also was not listening, yes. That was before we went to Mexico to get away. But then we came back, unhappily. Mexico, where they were already painting zebras out of mules to make it more fun for the dwindling tourists’ children. But they weren’t buying it. They weren’t having fun & neither was I. No one was buying. And then, we were no longer welcome. Baja ha ha. As if nobody had seen that one coming, obviously, from a long, long way off.

Anyway & besides, that was long before I was dead. Being dead means you don’t need to be heard. Or listen. Or stick your head out the dirty window to get a clear look at the moon, no. You are the moon. Yes.

You are the sky. You are the sand. You can paint the mountains, or what’s left of them, with one hand while fishing the oceans with the other. Although, yes, there are no fish now, either. Best of all, nothing matters now. No, not at all.

In some texts, they called themselves “the quick,” as I recall. But, actually those motherfuckers were really quite slow. And dumb. Yes, mostly dumb. Dumb & digging up stuff from the peaks, the flats, & all the places in between. And beating up the Mexicans that worked for them. Looking at it the other way, as they would say, they were really, really smart. Right. Smarter than a box of rocks, I’d say. Yes. And the wall. And caged children. So sad. Sick & sad I’d said.

They were digging up stuff everywhere. Even from places where they really shouldn’t: like, under the ice – which was all, by then, nearly melted away anyway. And from deep beneath the seas. Digging for uranium. More & more uranium to make plutonium, or oil to make their autos go autonomously, finding more. Morons. Spewing more spew into the thick air. In the end, it killed them all as they passed through hell on their way to “Go,” collecting every body.

I know. I was there, saying “NO!” And I’d started saying that early, talking to the rocks when I was five. I was putting my “gee?” into geology at a most tender age. Ha. Or maybe I’m wrong, yes. Maybe it was as late as seven, while I was still aching to live a life. I had a giraffe then. A tall clothes rack of a giraffe. I could hang my clothes on these pegs beside his ears. Big ears, yes. But it wasn’t really real, that giraffe, no. But then, what was? Nothing I guessed. Nothing, I now know.

So. Now, that you ask, yes, I find being dead is quite nice, yes, that is, once you get over what happens to your “self.” Of course, the ooze part is just horrible, oh. But after that dries up & blows away, or after the crows fly off with you, bit-by-bit, it is – as they say – “OK.” At least, that’s what I say. So many others hung around far too long, corpse-riders. Poor ghostly fucks. People really were boxes of rocks.

But those aren’t real crows, no. Besides, when it goes well – & it did for me – here’s how it works: that boney guy with the scythe & the fake crows (yes, he really exists), he gives you a kiss & – boom! – that’s it. You’re done. Yup. And we all went instantaneously. Wow. I don’t know how he smote so many of us all at once, because he had to be literally everywhere. Yes, everywhere. But that’s his job & he’s good at it, you know. We all left our keys in our cars, so to speak, engines running.

Oh yes, I can still remember that silence at my ears when I didn’t have any. And then, I didn’t need them anyway, no. Now I hear everything. And nothing. Yes, it is finality. Totally. Boom.

“It’s all about me,” she said as she rolled off the bed, lighting a cigarette. I couldn’t say anything. That was my last stab at intimacy. Boom. My last – if you will – memory. Never saw her again. Or anything. There was no one to see. Nope, I never liked cigarettes anyway. Never liked cars. Or airplanes. (I laughed & called them error-planes.) Or, get this, “Living better through electricity.” Dad used to take me surfing there. And I tried, tried to say, tried to explain that it all felt so unnatural. Mostly because it made no sense to me, no, not at all. Boom.

Now I wouldn’t dream of flying, no. But then, I don’t need to. Not to dream nor fly. Yes, I’m everywhere, like plutonium. I guess you could say it glows,ha! So I don’t dream, no. Don’t miss it. You know, it was a nightmare mostly anyway. Or a daymare, yes, to be most accurate. Back then, back there, at some point I learned just to talk to myself, yup. And after all & anyhow, yes, I’d known all along that I was the only one listening anyway. Boom. No!

Now we’re all, e-v-e-r-y-o-n-e, we are it. And it’s all & always about everybody & no bodies, yes. Finally, now, it’s all me. No choice: somehow we simply all agree. Nothing to agree upon; not even those painted zebras. No right, no wrong. No left or right or up or down. Boom. No time to write. Boom. No need to publish. Or read, nope. And you can forget about the harps. No one sings or strums the guitar up here, no. Boom. 

Then as now it was over, all-over & everywhere, all over instantly. Yup, Boom. We’re stilled, yes. Boom. As a matter of fact, yes, there was no need to be quick about it; no, not at all. “No more calls,” no. For there was no more time, either. Nor need, even, to say “Goodbye.” No, it was just: “BOOM.” And yes, we’re all here.

Boom. Stars. The end.

~jwl
https://www.jonwarrenlentz.com

©®™

2016-0420-0429 & 2019-0225, 0404

ELEPHANTS on the BEACH

I could see the sets lined up.

Most of what I knew about Africa & elephants came from LIFE. LIFE magazine, I mean. Because I grew up in a time when, already, children were insulated from life. As for the magazine, I liked to come home from school & read it through. I liked those big pictures & spent hours on the sofa each week studying them. This was at the hinge of the 60’s. By that time I was what we’d now call a grom. I was proud to be an accomplished Hodgmantm mat rider, & (as my feet were mushrooming & my money was even tighter than my shoes) a finless body surfer. Though I ached for a board, I hadn’t won that revolution. Yet. Anyway, I already knew that, in Africa, there were elephants on the beach where the jungle came down to the sand. That was cool. I was on the look-out everywhere for pictures of the ocean; there might be waves, you know. I was, after all, a sun blonde skinny grom.

One day, I saw a picture of Gabon, or, of a beach there. First thing I noticed was how great the waves looked; it was what we’d now call an “awesome point break”. But we didn’t have those words. Yet. This picture was taken looking up the beach, out towards a point. And I could see the sets lined up. Below that, along the shore, & up on the berm back from the water, was a line of posts, tree-trunks really, that were lined up, standing upright in the sand. But then. Towards the bottom of the page, I saw it: there was a man tied to each one. And I then understood: that was the point of this shot, they were not whole men really, just blood-droozed trunks. “Oooooh, like mau-mau.”

Then, I read with revolting interest. There’d been yet another coup & these guys were the loosers. The outgoing government. The heads of the leader & his crew sat neatly at their own big feet, as though they were looking out to sea. I wondered if they’d noticed, whether they’d understood how great the waves were that day. Perhaps they’d had other things on their minds.

That was the day when I made a point to remember that I never wanted to go to Africa.

I’d already decided about Vietnam. 

Post script:

Now it’s Venezuela where we’re sending our troops to save, no, enslave them. We’re poised to attack & kill innumerable innocent civilians in order to obtain control of their oil. No weapons of massive destructinon, just the ruse of humanitarian need, maybe even to bring Democracy to Venezuela … while storm-thrashed Puerto Rico languishes & unaccompanied refugee children are caged at the border. Huh.

There is little to no talk about the decades of selfish extractive policies of profits for the USA throughout Latin & Central America which have led to this current refugee crisis of people fleeing the rapacious disintegration of their own countries. I expect the caravans will increase. People fleeing shark infested waters are obliged to take their chances with the machine guns on the shore.

There is this elephant in the room we once called the “American Dream”, what ever happened to “liberty & justice for all”? All American policy is driven now by criminal oligarchs intent only upon profits. I don’t relish the idea of an bloody uncivlized coup, but don’t they, tRump & crew, ever consider the possibility that they, too, could be trunked at the beach? Aren’t there sands & surf near Washington? Aren’t there elephants at the Washington Zoo?

~jwl
https://www.jonwarrenlentz.com

©®™

2016-0430 & 0614 & 0630 & 0709 & 2019_0226

MIMINERMUS 01

a bitter old age

What is life
     & what’s delight,
lacking Aprodite, 
     golden
          gilt 
          love goddess?

Let me die when she
no longer cares for me . . .
     the favored bed,
     (flower all-desirous!)
     grasped
     by youths & maidens.

When that dolor comes,
old age,
bearing both shame & evil
to men . . .
When always about this heart
     sorrows chafe hard,
     sunlight no longer gladdens . . .

Then, hated
     despised by his sons,
          by women dishonored . . .

Such a bitter old age
the Gods heap
          on man.

~jwl
https://www.jonwarrenlentz.com

©®™

1979 & 2016-0806 – 0820 & 2019-0227

SLAVERY

In 1970’s, dad being a surfer, my parents built a home on the cliff overlooking Swamii’s – still one of the best surfing breaks in So. Calif. – &, at that time I could visit & paddle out on Christmas morning to share extraordinary waves with a handful of friends.

for Cory

Not long ago, but likely for ever, sitting on the beach, enjoying that stench of skunk, smoke blown free from kids upwind, I turned to give them my smile. Intentionally. Not caring whether they would see, but just to give them my energy. Hello, freeeeeedom come. And I did that for me. Coming my way I saw two girls – young women, really – skipping down the beach. Oh happily. Splashing running playing holding hands laughing. Pure joy to see. I didn’t know, were they Europeans, fast-friends, lovers, what. 

Yet it crossed my mind to wonder. Had to think. Examine, why that questioning? Do I question hand-holding when children, or a man & woman? A woman & a man? 

Wondering, then from where in the miracle of memory did that questioning percolate? 
Huh! Am I not in control? 
It is, after all, my mind. Not.
No, not really.
I drive, yes. But I don’t choose the fuel.
Or the foolishness.
I make the actions, yes. But I must work, too. Hmmm.

Dad. That angry sometimeshating father. What would Jesusdad do?
“That’sdisgustingthat’sthat’s… Why, I’d…”
Enough. No one deserves to hear what he’d say. 
(Perhaps you know already.)

But for me to say then, as often I would, again & again. And again.
Sure, he’d hit me. Often, hard. 

The smaller I was the more it had hurt.
The price of the honest son.
I’d spoke truth anyway. Always.
Why? Dunno. No, I do: because it was the right thing,
I’d Say, “You remember that parable about the prostitute?”

“No.”
Dodging blows, “Dad, do YOU really want to throw that first stone? 
WHO are we to judge?”
He never knew. No. 

Then one Christmas. Older, married, baby boy of my own. I was present. But did not buy presents. Wasn’t yet making with my hands so, no “handicrafts.” I reflected how “poet” is ancient Greek meaning, “I make.” Well, I was making translations of ancient poetry: Songs, forming the heartrock foundation on which the troubadours, Dylan, Beatles, & Rolling Stones all built their art. I gave my little books & explanation. I made story. Translations of that ancient Greek, mostly Sappho. Amazing Sappho, mother of all poetry. As gifts were opened, “Everything we say about love is a debt paid, with interest, to Sappho.” I said that & more.

Here we get to see dad in all his artless glory. Dad who I admired loved hated so f—king… it still brings me crazy. My amazing dad who gave me the introduction to working with my hands & also, yes, surfing. Dad taught. Me. Tell the truth & be honest; but honesty costs. Did I say crazy? 

Song story short. Sappho lived her entire life on a tiny Mediterranean island, ‘Lesthvos.’ That word landed on the mixed up shore of English as Lesbos. Lesbos, where they called each other Lesbians, same as we, in California, all call each other Californians. This was proudly explained on gift giving Christmas morning. (Afternoon? Not. Drinking dad’d be.) 

Next day. Lines on the horizon. Coffee. Then dawn. Alone. Getting ready. A door shuts softly. He comes, hands full. Angry writhing paper slips. I think, “Fortune cookies.” Misfortune really. Perfectly excised was every word from every copy, every instance, of “Lesbia.” Slips of ignorance flutter to the floor. A price is paid for truth telling. And he’s a slave still.

Ragdolled. Tears welled my eyes. Hugged him, “Oh dad.” Only I knew: get air. Hurtbanging brain. Oh, good, I got downstairs without event. Wet wetsuit. Shivering. Board. Wax. Myself? Maybe, as I ran out the garage. Crossed the street. But not. Train. Who-Oooo-Ooops. Crossed the tracks, crossed the highway, beep, beep, half-stumbled all the stairs. Infinite steps down just to get back up, get my own air. Headhigh Swamiis alone, nearly. “Hey. Hey bro. Hey, Merry. Back, dude! Hi. Hi. Hi.” Me myself alone not back yet in me. “Never let others,” he’d say. He knew the rules but never how to follow.Whoosh. Tears before a sea of. Sadly glad to be my free. Whoosh. Own myownself. Know: telling, but no, no win. Whoosh.

~jwl
https://www.jonwarrenlentz.com

©®™

2016-0701, 11 & 20 v7.0

SAPPHICS

love

SAPPHIC I

This full moon night
Under immense sky
Your darling soul
Diaphanous, quite.

~jwl
https://www.jonwarrenlentz.com

©®™

2009-1127 & 2019-0303

SAPPHIC II

Half moon above,
neither black
nor white –

My distant love
estranged in the night,
neither right nor wrong.

Not wrong, not right –
All night long,
beyond dawn …

Still, I feel
her,

shimmering
light.

~jwl
https://www.jonwarrenlentz.com

©®™

2009-1125 & 2019-0303

SAPPHO

971 Fr. Adesp. (P.M.G.)

Now sets the moon, the Pleiades, 
the middle night comes round,
hours
& alone I lie down

~jwl
https://www.jonwarrenlentz.com

©®™

2011-062 & 2019-0303

POSTEA LESBIA

 from Catullus #31 & Sappho #51

Hers is a beauty more than beauty
and she is far more than lucky—

A goddess she is in my eyes—
The woman allowed to abscond with you—
You, leaving
                           these waters to well
within me, me who lonely moments ago
considered once again myself lucky
sitting beside you:              
                                   Where do you go?

Somewhere she listens intimately
to the sweet murmur
of your voice, laughter
that entices my own heart
beyond its accoustomed beating—  Listen,
If I meet you again,
expectant, but unexpectedly;

I shan’t speak—
My tongue is broken:         Suddenly

when I see you
a thin flame under
my skin runs;    I am cast blindess,
and doubly hear my ears drumming only.
Cold sweat and trembling
shakes my body, crying—

and I turn paler
than summer’s grass.                 

         Such times,
death 
feels not distant.

~jwl
https://www.jonwarrenlentz.com

©®™

1979 & 2019